圓善|Yuan Shan
作品設置於「家事法庭」右側庭園,為已故雕塑家陳庭詩先生的鋼雕創作。至拙至簡的筆觸,卻清晰敘述著人世「善念扶持、圓化殘缺、大愛創造」的智慧,完全契合了「家事法庭」獨特的場域精神。
The artwork is located in the garden on the right side of the “Family Court” and is a steel sculpture created by the late sculptor Mr. Chen Ting-shih. Despite its simplicity, the artwork vividly conveys the wisdom of “kind thoughts supporting, transforming imperfections, and great love creating” in the human world. This theme aligns perfectly with the unique spirit of the “Family Court” setting.
作品名稱:圓善
藝術家:陳庭詩
Artwork:Yuan Shan
Artist:Chen Ting-shih
回|Return
當初在異鄉因為無意中翻出小盒子內的貝殼,兒時在海邊撿貝殼的快樂回憶,湧上心頭, 想起叛逆的青少年時期與家人的衝突與互動,思鄉的心情油然而生。成型每一個貝殼的時候,似乎也探討著我與家的關係,進而轉化成這個作品,作品名為「回」。
In the foreign land, I stumbled upon a small box of seashells by chance. The joyful memories of my childhood, spent collecting seashells by the seaside, flooded back into my mind. I recalled the conflicts and interactions with my family during my rebellious teenage years, and a longing for home welled up within me. As I shaped each seashell, it seemed like I was also exploring my relationship with my family, which ultimately transformed into this artwork, titled “Return.”
作品名稱:回
藝術家:曾宜秋
Artwork:Return
Artist:Zeng Yi-qiu
扶家祐子|Supporting Families and Nurturing Children.
「扶家祐子」以大手小手合體的造型象徵語言世界的差異以其不同文化層次的交流與包容。與少年法院92年設置的藝術品「運行」恰為延伸;但一造型極剛、一極柔,則形成有趣的對比;二組作品,都呈現濃郁的現代感與科技性格。
“Fujayu” features a joined design of large and small hands, symbolizing the differences in the world of languages and the exchange and inclusivity across various cultural layers. It complements the artwork “Run,” which was installed at the Youth Court in 1992, extending its themes. However, while one exhibits an extremely solid form, the other embodies a remarkable softness, creating an intriguing contrast. Both sets of artwork exude a strong sense of modernity and technological character.
作品名稱:扶家祐子
藝術家:劉高興
Artwork:Supporting Families and Nurturing Children.
Artist:Liu Gaoxing