規劃理念

於高雄三十八個行政區展開創意行動以及美感教育。以「聆聽秘密結晶」為題帶領民眾以多元形式編織出屬於自己土地的海洋音樂。邀請文史與生態、聲音創作、環境藝術、音樂創作、舞蹈等專業舞者，並且以地方文化館和學校單位為主要對象，通過踏查、工作坊和講座等活動，將計畫理念和高雄海洋流行音樂中心的特色推廣出去，藉由與不同地域之族群對話，擴充人們對海洋海島文化的多樣理解，特別是對環境、族群、物種與遷徙等議題的思考。

We will initiate creative actions and aesthetics education across the 38 administrative districts of Kaohsiung under the theme “Listening to Secret Crystals.” This initiative aims to guide people in weaving oceanic music that belongs to their own land in diverse forms. We will invite professionals in fields such as literature and history, ecology, sound composition, environmental art, music composition, dance, and more. The primary target groups will include local cultural institutions and school units.

Through activities such as field surveys, workshops, and lectures, we will promote the project’s concept and the distinctive features of the Kaohsiung Pop Music Center. By engaging in dialogue with various local communities, we aim to expand people’s diverse understanding of oceanic island culture, particularly in relation to environmental issues, ethnicities, species, and migration.

創作理念

The transformation of daily activities in Yancheng District into performance material involves the active participation of residents in the filming of a formal video production in the Da Gou Ding neighborhood, which serves as both a record and promotional material for the complete performance.

Regular rehearsals take place within the Yancheng District Evergreen Academy and extend into the marketplace for dress rehearsals and location scouting. Through video capture, the everyday labor of businesses in the Da Gou Ding area and New Music Street is documented. This footage is then used to create audiovisual elements for the participatory performance. Interviews and documentation serve as invitations to involve residents in the project and performance, transforming their daily work into elements of the exhibition.

The collected footage from the field and the inclusion of residents in warm-up performances result in a blend of everyday life and improvisational storefront exhibitions. With the aid of photographic documentation, each performance is layered and simultaneously presented in the district, creating a collective memory and visual residue.

作品資訊

作品名稱：鱸鰻關鍵字 -版畫工作坊

藝術家：李怡志X山津塢團隊

Artwork：Sea Bass and Eel Keywords – Printmaking Workshop
Artist：Li Yizhi and Shanjin Team

創作理念

時間對不同年齡層的人有著不一樣的感受，年長者可能覺得日復一日，孩童可能覺得日新又新，但每人終歸一日就是24時，1時60分鐘，於是時流將透過聲音算數1-60的概念，讓算數者藉由數數去感受時間的流逝，逆時針而行，繞圓式的行走。而旗揚則是以布料來回應台灣廟宇間揮旗的瞬間，以布面的陰柔揮舞，帶出身體伸展的樣貌，結合儀式性的狀態來展現出沉穩與張揚的兩種人生樣態。表演時時刻刻都發生在生活的周遭，當我們意識到調整脊柱與放慢放大自身的動作時，一場看似日常卻有著專注性演出便出現了，讓呼吸帶著身體，順道融合進下班後的肢體延展放鬆，每日的生活與暖身，成為行為展演的即興。

Time is perceived differently by people of different ages. Older individuals may feel that it’s the same routine day after day, while children may perceive it as constantly new and fresh. However, for everyone, a day consists of 24 hours, with each hour containing 60 minutes. Therefore, the concept of “Time Flow” involves using sound to count from 1 to 60, allowing the counter to feel the passage of time by counting, moving counterclockwise, and walking in a circular pattern.

On the other hand, “Flag-raising” is a response to the moments when flags are waved between temples in Taiwan. Using the gentle waving of fabric, it brings out the extension of the body, combining a ritualistic state to showcase two different aspects of life: stability and exuberance. These performances occur in everyday life when we become aware of adjusting our posture and slowing down our movements. What seems like a routine activity becomes a focused performance, allowing breath to guide the body and seamlessly integrating into post-workout stretching, making daily life and warm-ups part of an improvised performance.

作品資訊

作品名稱：時流與旗揚工作坊

藝術家：崔綵珊

Artwork：Time Flow and Flag-raising Workshop
Artist：Cui Cai-shan

創作理念

《海線計畫》透過影像、聲音和繪畫的方式紀錄陸/海的邊界線，探討海和我們真實生活之間的真實距離，工作坊邀請民眾將透過聆聽搜集而來的海岸線聲音，以繪畫和拼貼串連梓官、彌陀、茄萣、永安四個地區的海岸線風景，重構一想像的海陸邊界，讓想像成為看不見空間的延伸，把平常看見的或看不見的海岸線面貌重新解構並透過影像縫合，創造一介於現實與想像之間；限與無限之間；自然與人工之間的新風景。

The “Coastline Project Workshop” uses visual, auditory, and artistic methods to document the boundaries between land and sea, exploring the true distance between the sea and our everyday lives. The workshop invites the public to use the coastal sounds collected through listening to connect the coastal landscapes of four areas: Zigoan, Mituo, Qieding, and Yong’an, through painting and collage. This process reconstructs an imaginary land-sea boundary, allowing imagination to extend into the unseen space.

By deconstructing and seamlessly merging the familiar and invisible coastal landscapes through images, it creates a new landscape that exists between reality and imagination, between limitation and infinity, and between nature and artificial constructs.

作品資訊

作品名稱：海線計畫工作坊
藝術家：王怡婷

Artwork：Coastline Project Workshop
Artist：Wang Yi-ting

創作理念

透過田野聲音樣本引導民眾聆聽環境中的各種聲音，並介紹田野錄音設備的使用方式，帶領民眾在燕巢區/大社區/仁武區周遭的環境中進行田野錄音，透過田野收音的行為，讓參與民眾挖掘平時所身處的熟悉地域中未曾注意到的環境聲音質地，成為擴展聆聽體驗的一個觸媒。

Through field sound samples, this workshop guides participants to listen to various sounds in their environment. It introduces the use of field recording equipment and leads people to engage in field recording in the surroundings of Yanchao District, Dashe District, and Renwu District. Through the act of field recording, participants discover the sonic qualities of their familiar surroundings that they may not have noticed before, expanding their listening experience and acting as a catalyst for a heightened awareness of their environment.

作品資訊

作品名稱：生活的小耳朵-田野錄音工作坊
藝術家：謝奉珍

Artwork：Life’s Little Ears – Field Recording Workshop
Artist：Feng-Jen Hsieh

創作理念

在土地滋養下有著許多繁盛的生物與我們共存著，我們希望透由慢慢的行走，看見那些我們熟悉卻又不知名的事物，那些唯有慢慢的移動才能發現的奧秘。
本次的作品結合在地有善土地的小農食材與加入環境食材來創造新的可能性。踏查是一種身體對環境的觀察移動；環境由時間的推演，周遭的事物不斷的更替變化，生死的循環再我們的身邊不斷的上演，路燈下的龍葵、行道樹下的野莧，幾個月內自然的死亡或是被清道夫割除，其實這些植物是非常美味食材，希望帶著有興趣的朋友在四周看看我們自然之力在都市叢林下奮力的生長，在行走中，思考我們的學習背景為什麼對基本生存的技能沒有被教育，是個缺席的狀態？為什麼原住民對環境的敏感度是可以被傳承的等等探討。

Under the nourishment of the land, there are many thriving life forms coexisting with us. We hope that through slow and deliberate movement, we can observe things that are both familiar and yet unknown, the mysteries that can only be discovered through unhurried exploration.

This project combines locally sourced ingredients from conscientious small-scale farmers with environmental ingredients to create new possibilities. Field reconnaissance is a form of bodily observation and movement in the environment. The environment evolves over time, with things around us constantly changing. The cycle of life and death unfolds continuously in our surroundings. For example, the dragon fruit under streetlights or the wild amaranth under roadside trees may naturally wither or be cleared away by street cleaners within a few months. However, these plants are actually delicious ingredients.

We hope to invite interested friends to explore the natural forces thriving in the urban jungle around us. While walking, we can contemplate why basic survival skills are not taught in our educational backgrounds, creating a noticeable absence. We can also discuss topics such as why indigenous communities have a sensitivity to the environment that can be passed down through generations.

作品資訊

作品名稱：蝸行移動-全聯沒有的菜工作坊
藝術家：呼提克團隊 -拉馬‧默提司 (呂沐芢) / 努亞‧阿海納

Artwork：Slow-Moving – Workshop on Vegetables Not Found in Chain Stores
Artist：Hootic Team – Lama Metis (Lu Mu-Rong) / Nua Aheina

創作理念

接觸即興是一種專注於於身體感知與行動的舞蹈方式，透過“接觸”與“即興”組合出許許多多身體與身體的搭配，在“接觸”的過程中試著閱讀身體所這些消息來往於無止境的身體接觸，甦醒身體每寸肌肉和肌膚的覺知與感受，觀察同夥伴共舞的不準確性，反應舞蹈當下對自我的瞭解，相互交疊、滾動、擠壓、拉拔，在最為真實的身體感之中見招拆招，兵來將擋，水來土掩，無懼無畏與夥伴共同創造下一個舞蹈步伐。並能夠讓身體持續對話。

Contact improvisation is a form of dance that focuses on body perception and movement. It combines ‘contact’ and ‘improvisation’ to create numerous combinations of bodies interacting with each other. In the process of ‘contact,’ it attempts to read the messages that bodies exchange through endless physical contact, awakening awareness and sensations in every inch of the body’s muscles and skin.

It involves observing the inaccuracy of dancing with partners, reflecting on the understanding of oneself in the present moment of dance. Bodies overlap, roll, compress, and pull in this most authentic sense of bodily awareness. They respond to each other’s movements, like a strategic dance of actions and reactions. It’s a fearless collaboration with partners to create the next dance step, and it enables an ongoing dialogue within the body.”

作品資訊

作品名稱：接觸即興舞蹈工作坊
藝術家：許程崴

Artwork：Contact Improvisation Dance Workshop
Artist：Hsu Cheng-Wei

創作理念

這是一個結合食物與聲音裝置的工作坊。透過飲食文化搭配文學來探訪每個人的回憶故事，兩位藝術家將以各自擅長的創作媒材與脈絡，在連續的三堂工作坊中，逐步帶領民眾轉化抽象概念內容，創作出會結合飲食文化與聲響的裝置作品。

This is a workshop that combines food and sound installation. Through the pairing of culinary culture with literature, the two artists will explore the memory stories of each participant. Over the course of three consecutive workshops, they will gradually guide participants in transforming abstract concepts into installation works that will incorporate culinary culture and sound.

作品資訊

作品名稱：交織餐桌上的一道聲景工作坊
藝術家：林正偉、程仁珮

Artwork：nterweaving Soundscapes at the Dining Table Workshop
Artist：Lin Cheng-Wei and Cheng Ren-Pei

創作理念

兩場講座，音樂藝術家王榆鈞與大家聊聊當代新歌謠。榆鈞近年特別關注聲響與身體、影像共同創造出的內在聽覺空間，在詩句縫隙間的音樂風景。

「民謠迷人之處是它從來都不新也不舊，卻在短短一首歌曲蘊含著人們抒發最直接的感情。聆賞受到日本、美國、南洋等不同文化影響之下誕生的台灣歌謠，它們刻畫了時代的痕跡，從語言、旋律、文字、節奏等不同角度進一步去探尋當代新歌謠的可能性。」

Two lectures featuring music artist Wang Yu-Jun discussing contemporary folk songs. In recent years, Yu-Jun has been particularly focused on the inner auditory spaces created by sound, body, and visuals, as well as the musical landscapes within the crevices of poetry.

“The charm of folk songs lies in their ability to be neither entirely new nor old, yet they encapsulate people’s most direct emotions in a single song. Exploring the possibilities of contemporary new folk songs from various perspectives, including language, melody, lyrics, and rhythm, influenced by different cultures such as Japan, the United States, and the South Seas, reveals the traces of the times.

作品資訊

作品名稱：流行音樂與歌謠講座
藝術家：王榆鈞

Artwork：Lecture on Pop Music and Ballads
Artist：Wang Yu-Jun

創作理念

由小島大歌發起人陳玟臻分享多年來穿越大海、與各式各樣島嶼音樂人交流，並共同創造出屬於當代南島音樂的經驗，也為海洋文化及流行音樂中心的公共藝術活動帶來濃郁而富深度的海洋音樂氣息。
陳玟臻及澳洲音樂製作人Tim Cole自2014年開始，以透過音樂串聯南島文化為初衷，花費三年時間，拜訪了來自十六個島國的超過一百位音樂家，由音樂家們選擇希望錄下的歌曲，以母語演唱或是演奏傳統樂器，並在獨特的自然環境中錄音、拍攝，再帶著歌曲到另一個島嶼上，請其他南島音樂家加入當地的元素，這樣一層疊著一層，編織出十八首歌曲，每一首歌都是由一位至百位音樂家跨海共同創作完成的。小島大歌是國際間第一個橫跨南島16個島國且人數最眾多之音樂計畫，其於2018年所發行的專輯獲國際間多項重要音樂獎項。

Initiated by the founder of ‘Small Island Big Song,’ Chen Wen-Zen shares his experiences of traversing the seas and interacting with musicians from various island nations. Together, they have created a contemporary South Island music experience, infusing rich and profound oceanic music into public art events centered around maritime culture and popular music.

Starting in 2014, Chen Wen-Zen and Australian music producer Tim Cole embarked on a mission to connect South Island cultures through music. Over three years, they visited over a hundred musicians from sixteen island nations. These musicians selected songs they wished to record and performed them in their native languages or with traditional instruments. Recordings and filming took place in unique natural environments. The songs then traveled to another island, where additional South Island musicians incorporated local elements. Layer by layer, they wove together eighteen songs, each collaboratively created by musicians ranging from one to hundreds. ‘Small Island Big Song’ became the first international music project spanning sixteen South Island nations and received numerous prestigious music awards worldwide upon the release of its album in 2018.

作品資訊

作品名稱：海洋音樂講座
藝術家：陳玟臻、戴曉君

Artwork：Ocean Music Lecture
Artist：Chen Wen-Zen and Dai Xiao-Jun

創作理念

「我們搖籃的美麗島，是母親溫暖的懷抱…」
美麗島是高雄捷運的重要轉乘站，也是一家雜誌社的名稱，標示著高雄在臺灣黨外運動時代的關鍵重要性。美麗島也是一首歌，在時代流轉之後，經過了歲月的淘洗、經歷禁播禁唱，終於成為一首人人熟知的歌曲。目前擔任中央廣播電台《金曲律動》節目主持的李律老師，本次演講將從美麗島出發，談詩歌與文化運動，以及風起雲湧的時代裡臺灣的逐步走向民主法治與人權的過程。

“Our Beautiful Island, the warm embrace of our mother…”Beautiful Island is an important interchange station on the Kaohsiung MRT (Mass Rapid Transit) system, and it’s also the name of a magazine, signifying its crucial role in the era of Taiwan’s pro-democracy movement. Beautiful Island is also the title of a song that, after enduring years of censorship and bans, has become a well-known and beloved tune. In this lecture, hosted by Mr. Li Lu, who currently hosts the “Golden Melodies Rhythm” program on Central Broadcasting System Radio, we will start with Beautiful Island and delve into the topics of poetry, cultural movements, and Taiwan’s journey towards democracy, rule of law, and human rights during a time of significant change and upheaval.

作品資訊

作品名稱：流行音樂史講座
藝術家：李律

Artwork：History of Popular Music Lecture
Artist：Li Lu

創作理念

王昭華現居於高雄，擅長結合高雄在地經驗於創作中，以台語溫婉唱出生活的點點滴滴，並因勇奪金馬獎「最佳原創電影歌曲」的「大佛普拉斯」電影片尾曲「有無」歌詞更廣為人知。是高水準的台語文創作者。透過她的分享，為海洋文化及流行音樂中心帶來更緊密的地域連結，也讓更多在地居民認識自己生活所在地的文化人、創作人，以及自身土地所生長出的文化果實。

Wang Zhao-Hua currently resides in Kaohsiung and excels at incorporating her local experiences into her creations. She sings tenderly in Taiwanese Hokkien, depicting the nuances of life, and gained widespread recognition for her lyrics in the movie “The Great Buddha+” which won the Golden Horse Award for Best Original Film Song. She is a highly regarded Taiwanese language creative artist. Through her sharing, she fosters stronger connections between the Maritime Cultural & Popular Music Center and the local community, allowing more residents to become acquainted with cultural figures, artists, and the cultural products that have grown from their own land.

作品資訊

作品名稱：在地音樂人講座
藝術家：王昭華

Artwork：In-Local Musician Lecture
Artist：Wang Zhao-Hua